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The monument is a natural growth from the tomb of Humayun at Delhi and to a lesser extent from the Tomb of Itmad-ud-Daulah in Agra itself. Taj is far superior to any one of them in the dignity of its grouping and disposition, in the masterly contrast between the central dome and the slender minarets, in the chaste refinement and painstaking craftsmanship of its details, and above all in the splendor of its materials. The design of Taj is more Persian and less Indian yet there is no building in Persia (Iran) that can match up to the Taj's stature.

 

Broadly speaking, Taj Mahal can be seen as comprising of four distinct parts to understand its design and architecture, namely, The Taj Gateway, The Taj Garden, The Taj Mausoleum, The Tomb and Pietra Dura. The beautifully laid out gardens holding out the Taj almost a thousand feet away from the entrance gate are modeled along the Persian Char Bagh style. Paved inroads divide the patches of green and little fountains and mark the two halves of the garden. Standing elegantly on a raised platform, Taj has two sets of staircases at the entrance leading the way to the real tomb and the monumental counterparts, respectively. Four minarets rise on all four sides and in the centerlies the grand dome over the central hall. The dome is crucial to Islamic architecture as it unites heaven and earth cosmologically. The square edifice represents the material universe while the dome symbolizes the vault of heaven.


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